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Matters of Gravity: Special Effects & Supermen in the 20th Century

Duke University Press, 2003.
Faculty
Film and Media Studies
September, 2003

About

The headlong rush, the rapid montage, the soaring superhero, the plunging roller coaster—Matters of Gravity focuses on the experience of technological spectacle in American popular culture over the past century. In these essays, leading media and cultural theorist Scott Bukatman reveals how popular culture tames the threats posed by technology and urban modernity by immersing people in delirious kinetic environments like those traversed by Plastic Man, Superman, and the careening astronauts of 2001: A Space Odyssey and The Right Stuff. He argues that as advanced technologies have proliferated, popular culture has turned the attendant fear of instability into the thrill of topsy-turvydom, often by presenting images and experiences of weightless escape from controlled space.

Considering theme parks, cyberspace, cinematic special effects, superhero comics, and musical films, Matters of Gravity highlights phenomena that make technology spectacular, permit unfettered flights of fantasy, and free us momentarily from the weight of gravity and history, of past and present. Bukatman delves into the dynamic ways pop culture imagines that apotheosis of modernity: the urban metropolis. He points to two genres, musical films and superhero comics, that turn the city into a unique site of transformative power. Leaping in single bounds from lively descriptions to sharp theoretical insights,Matters of Gravity is a deft, exhilarating celebration of the liberatory effects of popular culture.

 

Praise for Matters of Gravity:

Matters of Gravity is more than a collection of tour de force essays, although it is certainly that. It maps an important theoretical and critical project, reclaiming the ‘lively arts’ and exploring the kinetic and affective dimensions of popular culture. Scott Bukatman’s breathless prose and conceptual pyrotechnics embody popular culture’s dynamism, making us feel it, making us want to dance it. His writing crackles with wit, sparkles with vividness, and throbs with his own passionate engagement with his topic.”—Henry Jenkins, coeditor of Hop on Pop: The Politics and Pleasures of Popular Culture

“Scott Bukatman is one of the very top figures in the attempt of cultural studies to understand modernity by looking at the interlocking of such phenomena as urbanism, new forms of masculinity, new technologies, and the role of the body.”—Dana Polan, author of the British Film Institute books In a Lonely Place and Pulp Fiction