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Xandra Ibarra

Xandra Ibarra

Visiting & Adjunct Faculty
Art Practice


Xandra Ibarra, who sometimes works under the alias of La Chica Boom, is an Oakland-based performance artist from the US/Mexico border of El Paso/Juarez. Ibarra works across performance, video, and sculpture to address abjection and joy and the borders between proper and improper racialized, gendered, and queer subjects.

Ibarra’s work has been featured at El Museo de Arte Contemporañeo (Bogotá, Colombia), Broad Museum (LA), ExTeresa Arte Actual (DF, Mexico), The Leslie-Lohman Museum (NYC), ONE Archives (LA) and Anderson Collection (Stanford) to name a few.  Recent residencies include Headlands Center for the Arts, Open Space SF MOMA (Columnist in Residence), Marble House Project, Fort Mason Center for Arts and Culture, National Performance Network, and the Atlantic Center for the Arts. She has been awarded the Lucas Visual Arts Fellowship, Queer Art Prize for Recent Work, Art Matters Grant, NALAC Fund for the Arts, Eisner Film and Video Prize,  Murphy & Cadogan Contemporary Art Award and the Franklin Furnace Performance and Variable Media Award.  Her work has been featured in ArtforumPaper MagazineHyperallergicHuffington Post, ArtNews and in various academic journals nationally and internationally. 

Ibarra’s work has also been featured in several recent and forthcoming books. An excerpt from her panel presentation at the New Museum, “Exhibitionist Tendencies: The Past and Present of Sexuality, Gender, and Race in Art” is included in the book Saturation: Race, Art & The Circulation of Value edited by C.Riley Snorton and Hentyle Yapp. Juana Maria Rodriguez’s Sexual Futures, Queer Gestures, and Other Latina Longings features her performance “I am your Puppet” (2007) while Amber Jamilla Musser’s Sexual Excess: Queer Femininity and Brown Jouissance includes a chapter about Ibarra’s collaboration with performance artist Amber Hawk Swanson, “Untitled Fucking” (2013). Leticia Alvarado’s Abject Performances: Aesthetic Strategies in Latino Cultural Production features Ibarra’s performance work “Skins/Less Here” (2015)  on the cover and within the book.

As a community organizer, Ibarra’s work is located within feminist anti-rape and prison abolitionist movements. Since 2003, she has actively participated in organizing with INCITE!, a national feminist of color organization dedicated to creating interventions at the intersection of state and interpersonal violence. She is currently a member of Survived and Punished California. As a lecturer, Ibarra has taught Ethnic Studies, Sexuality Studies, and History and Theory of Contemporary Art courses. Adjunct and part-time teaching posts have included: San Francisco Art Institute, California College of the Arts and San Francisco State University. Ibarra holds an MFA in Art Practice from the University of California, Berkeley, an MA in Ethnic Studies from San Francisco State University and attended the PostColonial Studies program held at the Universidat Rovira | Virgili (Spain).