Jean Ma teaches in Film and Media Studies program.
She is the author of Melancholy Drift: Marking Time in Chinese Cinema (Hong Kong University Press, 2010), and coeditor of Still Moving: Between Cinema and Photography (Duke University Press, 2008) and “Sound and Music,” a special issue of the Journal of Chinese Cinemas. Her work has appeared in Grey Room, Post Script, Journal of Chinese Cinemas, Camera Obscura, Criticism. Her newest book is Sounding the Modern Woman: The Songstress in Chinese Cinema (Duke University Press, 2015).
Introduction, Sounding the Modern Woman: The Songstress in Chinese Cinema, https://www.scribd.com/doc/262077200/Sounding-the-Modern-Woman-by-Jean-Ma
"Hong Kong Mambo"
"Circuitous Action: Revenge Cinema"
"Delayed Voices: Intertextuality, Music and Gender in The Hole"
"Discordant Desires, Violent Refrains: La Pianiste"
For copies see https://stanford.academia.edu/JeanMa