This seminar explores the role of images in the three major powers of the medieval Mediterranean: the Umayyads, the Carolingians, and the Byzantines. For each the definition of an image- sura, imago, or eikon respectively-became an important means of establishing religious identity and a fault-line between distinct cultural traditions. This course troubles the identification of image with figural representation and presents instead a performative paradigm where chant or recitation are treated as images. As such, students will be able to see the connections between medieval image theory and contemporary art practices such as installation.
|Title||Instructor||Quarter||Day, Time, Location|
ARTHIST 409 (section 1)
Theories of the Image: Byzantium, Islam and the Latin West (ARTHIST 209C, CLASSICS 158, CLASSICS 258, REES 409)
|Pentcheva, B.||2020-2021 Spring||
8:30am - 11:20am