• Pamela M. Lee's Overview
        • Name:
          Pamela M. Lee
        • Title:
          Professor
        • Department:
          Art & Art History
        • Department Member:
          Yes
        • Areas of Specialization:
          Modern and contemporary art, theory and criticism
        • Email:
          plee1@stanford.edu
        • Status News:

          Professor Lee is on sabbatical leave through fall 2011.

          Please note that she will not be scheduling meetings with prospective graduate students during this time.

          For information regarding graduate study in art history at Stanford, please contact Jill Davis <jmdavis@stanford.edu>

        • Research Areas:

          Works and Research in Progress:

          Forgetting the Artworld: Globalization and Contemporary Art 

          New Games: Postmodernism and the Prisoner's Dilemma (Routledge)

          Think-Tank Aesthetics


        • Short Bio:

          Prof. Lee received her B.A from Yale University and her Ph.D in the Department of Fine Arts from Harvard University. She also studied at the Graduate Center of the City University of New York and the Whitney Museum Independent Study Program. Her area is the art, theory and criticism of late modernism with a historical focus on the 1960s and 1970s. Among other journals, her work has appeared in October, Artforum, Assemblage, Res: Anthropology and Aesthetics, Les Cahiers du Musee national d'arte moderne, Grey Room, Parkett andTexte zur Kunst.

          A pre-doctoral fellow at the Center for Advanced Study in the Visual Arts, Washington D.C., and a recipient of a postdoctoral fellowship from the Getty Research Institute, Lee has published two books in addition to journal articles, reviews and catalogue essays. Her books are Object to be Destroyed: The Work of Gordon Matta-Clark (Cambridge: The MIT Press, 2000) and Chronophobia: On Time in the Art of the 1960s (Cambridge: The MIT Press, 2004). A French language edition of Object to be Destroyed will be published by Editions Macula, Paris; a Spanish language edition of Chronophobia will be released by El Centro de Documentación y Estudios Avanzados de Arte Contemporáneo (CENDEAC), Murcia, Spain.

           

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Boy Sharpening a Quill

1699-1779

Jean-Baptiste Simeon Chardin

Photo credit: Scala / Art Resources, NY

J'al des papillons noir tous les jours

Silk, paper, plexiglass, lights, electronics, 2800 bug pins

Gail Wight

Off the Charts: the Song-Poem Story

A film by Jamie Meltzer

Courtesy: Joshua Forney

Nesting Nautilus

2006

Laser-cut plywood

John Edmark