• Pamela Lee's Overview
        • Name:
          Pamela Lee
        • Title:
          Professor
        • Department:
          Art & Art History
        • Department Member:
          Yes
        • Areas of Specialization:
          Modern and contemporary art, theory and criticism
        • Email:
          plee1@stanford.edu
        • Office Number (physical):
          650-723-4963
        • Status News:

          Professor Lee is on sabbatical leave until fall quarter 2008; please note that she will not be scheduling meetings or interviews with prospective graduate students at this time.

        • Research Areas:

          Works and Research in Progress:

          Forgetting the Artworld: Globalization and Contemporary Art 

          New Games: Postmodernism and the Prisoner's Dilemma (Routledge)

          The Cold War: An Aesthetic

        • Short Bio:

          Prof. Lee received her B.A from Yale University and her Ph.D in the Department of Fine Arts from Harvard University. She also studied at the Graduate Center of the City University of New York and the Whitney Museum Independent Study Program. Her area is the art, theory and criticism of late modernism with a historical focus on the 1960s and 1970s. Among other journals, her work has appeared in October, Artforum, Assemblage, Res: Anthropology and Aesthetics, Les Cahiers du Musee national d'arte moderne, Grey Room, Parkett andTexte zur Kunst.

          A pre-doctoral fellow at the Center for Advanced Study in the Visual Arts, Washington D.C., and a recipient of a postdoctoral fellowship from the Getty Research Institute, Lee has published two books in addition to journal articles, reviews and catalogue essays. Her books are Object to be Destroyed: The Work of Gordon Matta-Clark (Cambridge: The MIT Press, 2000) and Chronophobia: On Time in the Art of the 1960s (Cambridge: The MIT Press, 2004). A French language edition of Object to be Destroyed will be published by Editions Macula, Paris; a Spanish language edition of Chronophobia will be released by El Centro de Documentación y Estudios Avanzados de Arte Contemporáneo (CENDEAC), Murcia, Spain.

           

  • Gallery
    No Gallery Found
  • Documents
  • No Results

  • Groups
  • No Groups Found
  • My Blogs
  • No Results

Boy Sharpening a Quill

1699-1779

Jean-Baptiste Simeon Chardin

Photo credit: Scala / Art Resources, NY

Liberty Club #2

2006

Acrylic and water-based oil

Enrique Chagoya

Students shooting a project

Nesting Nautilus

2006

Laser-cut plywood

John Edmark