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CATEGORIES:Symposium
DESCRIPTION:<p style='text-align: left\;'>Please join us for a weekend cele
 brating Wanda Corn\, the Robert and Ruth Halperin Professor Emerita in Art
  History. During her nearly thirty-year tenure at Stanford\, Professor Cor
 n not only reshaped the field of American art history but served a term as
  Director of the Stanford Humanities Center and another as Acting Director
  of the Stanford Museum (now called the Cantor Arts Center). This free\, t
 wo-day symposium\, led by friends and the many art historians she trained\
 , honors her scholarship\, her pedagogy and her countless contributions to
  both art history and the university.<strong><br />\n</strong></p>\n<p s
 tyle='text-align: left\;'>&nbsp\;</p>\n<p style='text-align: left\;'>Spon
 sored by the Department of Art &amp\; Art History</p>\n<p style='text-ali
 gn: left\;'><span style='font-size: x-small\;'>All events are free and ope
 n to the public.</span></p>\n<p style='text-align: left\;'><span style='f
 ont-size: x-small\;'>No registration or tickets are required.</span></p>\
 n<p style='text-align: left\;'>&nbsp\;</p>\n<p style='text-align: left\;'
 >&nbsp\;</p>\n<p style='text-align: left\;'><strong>SYMPOSIUM SCHEDULE</s
 trong><br />\n<br />\n<strong>Friday\, November 13\, 2009</strong><br />
 \n<br />\n3 pm&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&n
 bsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\
 ;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nb
 sp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;Arrival / Coffee &amp\; Tea<
 br />\n4 pm&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\
 ;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nb
 sp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;
 &nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;Welcome by Richard Vinograd\, De
 partment Chair<br />\n4:10 - 6:10 pm&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&n
 bsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\
 ;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Session I <br />\n6:10 - 7:10 pm&nbsp\;&nbs
 p\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&
 nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Reception (Art Lob
 by)<br />\n<br />\n<strong>Saturday\, November 14\, 2009</strong><br />
 \n<br />\n8:45 am &nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbs
 p\;&nbsp\; &nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;
 &nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\; Coffee &amp\; Tea<br />
 \n9:30 - 11 am&nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&
 nbsp\; &nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbs
 p\;&nbsp\; Session 2<br />\n11 - 11:15 am &nbsp\;&nbsp\;&nbsp\; &nbsp\;&n
 bsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp
 \;&nbsp\; &nbsp\; Break<br />\n11:15 am - 12:45 pm&nbsp\;&nbsp\;&nbsp\;&n
 bsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Session 3<br />\n1
 2:45 - 1:45 pm&nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&n
 bsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Lunch Break<br />\
 n1:45 - 3:15 pm&nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&
 nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Sess
 ion 4<br />\n3:15 - 3:30 pm&nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\; &n
 bsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\
 ;&nbsp\; Coffee Break<br />\n3:30 - 5:10 pm&nbsp\;&nbsp\;&nbsp\; &nbsp\;&
 nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nb
 sp\;&nbsp\;&nbsp\; Session 5<br />\n5:15 - 6:30 pm&nbsp\;&nbsp\;&nbsp\; &
 nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\;&nbsp\;&nb
 sp\;&nbsp\;&nbsp\;&nbsp\; Wanda Corn&rsquo\;s Presentation<br />\n<br />
 \n<strong><br />\n</strong><strong>SCHEDULE OF PRESENTATIONS&nbsp\; </str
 ong>(subject to change without notice)<strong><br />\n</strong></p>\n<p 
 style='text-align: left\;'>&nbsp\;</p>\n<p style='text-align: left\;'><st
 rong>November 13</strong></p>\n<p style='text-align: left\;'>&nbsp\;</p>
 \n<p style='text-align: left\;'><strong>Session 1:&nbsp\; 4:10-6:10 pm</st
 rong></p>\n<p style='text-align: left\;'>&nbsp\;</p>\n<p style='text-ali
 gn: left\;'>Moderated by Professor Bryan Wolf\, Department of Art &amp\; A
 rt History<br />\n<br />\nKeith Eggener\, University of Missouri<br />\
 n&quot\;Seeing\, Selling and Sanctifying the Mark Twain Birthplace (1835/1
 959)&quot\;<br />\n<br />\nElizabeth Hutchinson\, Barnard College\, Colu
 mbia University<br />\n&quot\;Five Views of Sequoyah's Turban\,&quot\; Ch
 arles Bird King\, 1844&quot\;<br />\n<br />\nAnnelise Madsen\, Stanford 
 University<br />\n&quot\;Edwin Blashfield's <em>Evolution of Civilization
 </em> (1896) and the Lessons of Mural Painting&quot\;<br />\n<br />\nMar
 y Campbell\, Stanford University<br />\n&quot\;<em>The Sultan's Favorite<
 /em>: Charles Ellis Johnson and the Mormon Harem&quot\; (1903-4)<br />\n<
 br />\nKristin Schwain\, University of Missouri-Columbia<br />\n&quot\;L
 earning to Look and Decorating the Parlor: Art and Display at Wanamaker&rs
 quo\;s Department Stores&quot\; (early 20th century)<br />\n<br />\nQ an
 d A</p>\n<p style='text-align: left\;'><br />\n<strong>November 14 </str
 ong></p>\n<p style='text-align: left\;'>&nbsp\;</p>\n<p style='text-alig
 n: left\;'><strong>Session 2:&nbsp\; 9:30-11 am</strong></p>\n<p style='t
 ext-align: left\;'><br />\nModerated by Professor Michael Marrinan\, Depa
 rtment of Art &amp\; Art History<br />\n<br />\nEllen Wiley Todd\, Georg
 e Mason University<br />\n&quot\;Can Anyone See? John Sloan's <em>In Memo
 riam: Here is the Real Triangle</em>\, 1911&quot\;<br />\n<br />\nPatti 
 Junker\, Seattle Art Museum<br />\n&quot\;Childe Hassam\, <em>Flags on th
 e Waldorf</em>\, 1916&quot\;<br />\n<br />\nDavid Lubin\, Wake Forest Un
 iversity<br />\n&quot\;Flushed Out: Duchamp's <em>Fountain</em> (1917) Go
 es to War&quot\;<br />\n<br />\nQ and A</p>\n<p style='text-align: left
 \;'><br />\n<strong>Session 3:&nbsp\; 11:15 am-12:45 pm</strong></p>\n<p
  style='text-align: left\;'><br />\nModerated by Professor Pamela M. Lee\
 , Department of Art &amp\; Art History<br />\n<br />\nJason Weems\, Univ
 ersity of California\, Riverside<br />\n&quot\;At Play in the Cornfields:
  Grant Wood's <em>Spring Turning</em>\, 1936&quot\;<br />\n<br />\nGwend
 olyn DuBois Shaw\, University of Pennsylvania<br />\n&quot\;<em>To Know t
 o Know to Love Her So</em>: Sargent Johnson\, Getrude Stein and Motherless
  Moderns&quot\; (1940)<br />\n<br />\nCaroline Jones\, MIT<br />\n&quot
 \;Opening Haacke's Box\, 1963&quot\;<br />\n<br />\nQ and A</p>\n<p sty
 le='text-align: left\;'>&nbsp\;</p>\n<p style='text-align: left\;'><stron
 g>Session 4:&nbsp\; 1:45-3:15 pm</strong></p>\n<p style='text-align: left
 \;'><br />\nModerated by Professor Pamela M. Lee\, Department of Art &amp
 \; Art History<br />\n<br />\nCecile Whiting\, University of California\
 , Irvine<br />\n&quot\;David Hockey's <em>American Collectors</em> (Fred 
 and Marcia Weisman)\, 1968&quot\;<br />\n<br />\nTirza Latimer\, Califor
 nia College of the Arts\, San Francisco<br />\n&quot\;A Reverent Look: Th
 e Endpaper from Gertrude's Follies (Tom Hachtman\, 1979)&quot\;<br />\n<b
 r />\nCarolyn Kastner\, Georgia O'Keeffe Museum\, Santa Fe<br />\n&quot\
 ;Jaune Quick-To-See Smith: <em>Petroglyph Park and Court House Steps</em>\
 , 1987&quot\;<br />\n<br />\nQ and A</p>\n<p style='text-align: left\;'
 ><strong><br />\nSession 5:&nbsp\; 3:30-5:10 pm</strong></p>\n<p style='
 text-align: left\;'><br />\nModerated by Shelley Fisher Fishkin\, Profess
 or of English and Director of American Studies Program<br />\n<br />\nPa
 m McClusky\, Seattle Art Museum<br />\n&quot\;Letters to Laikom: How Wand
 a Corn's Art History Opened Doors into the Palace of the King of Kom&rdquo
 \;<br />\n<br />\nCherise Smith\, University of Texas at Austin<br />\n
 &quot\;Rethinking Carrie Mae Weems' Historic Appropriations&quot\;<br />\
 n<br />\nDavid Cateforis\, University of Kansas<br />\n&quot\;Cultural T
 ransference and Creative Misunderstanding in Wenda Gu's <em>Poem of the Un
 iversity of Pittsburgh</em> (2004)&quot\;<br />\n<br />\nLouise Siddons\
 , Oklahoma State University<br />\n&quot\;Robert Turney\, Untitled Self-P
 ortrait\, 2009&quot\; <br />\n<br />\nQ and A</p>\n<p style='text-align
 : left\;'><strong>&nbsp\;</strong></p>\n<p style='text-align: left\;'><st
 rong>Wanda Corn's Presentation:&nbsp\; 5:15-6:30 pm</strong></p>\n<p styl
 e='text-align: left\;'>&nbsp\;</p>\n<p style='text-align: left\;'>Introdu
 ction by Ellen Wiley Todd and Cecile Whiting</p>\n<p style='text-align: l
 eft\;'>&nbsp\;</p>\n<p style='text-align: left\;'>&quot\;Mary and Me: <em
 >Modern Woman</em>\, Modern Women&quot\;</p>\n<p style='text-align: left\
 ;'>&nbsp\;<br />\n<br />\n<strong>SPECIAL HOTEL RATES FOR THE SYMPOSIUM<
 /strong><br />\n<br />\n<strong>Stanford Terrace Inn</strong><br />\n53
 1 Stanford Ave.\, Stanford\, CA 94306<br />\n(800) 729-0332<br />\n<a hr
 ef='http://stanfordterraceinn.com/'>http://stanfordterraceinn.com</a><br /
 >\n<br />\nRate: $139/night for single occupancy | $149/night for double
  occupancy <br />\nReference: Wanda Corn Symposium or Group #1302<br />\
 nAmenities: complimentary breakfast\, shuttle to and from campus<br />\n<
 br />\n<strong>Stanford Guest House </strong><br />\n2575 Sand Hill Road
 \, Menlo Park\, CA 94025<br />\n(650) 926-2800<br />\n<a href='http://gu
 esthouse.stanford.edu/'>http://guesthouse.stanford.edu</a><br />\n<br />
 \nRate: $109 for November 13 / $99 for November 14<br />\nReference: Wand
 a Corn Symposium<br />\nAmenities: complimentary morning beverages and we
 ekend pastries\, shuttle to and from campus<br />\n<br />\n<br />\n<str
 ong>VISITOR INFORMATION</strong><br />\n<br />\nAnnenberg Auditorium is 
 located in the basement level of the Nathan Cummings Art Building\, 435 La
 suen Mall\, Stanford\, CA 94305. The Department of Art &amp\; Art History 
 main telephone line is (650) 723-3404.<br />\n<br />\n<a href='http://ww
 w.stanford.edu/dept/visitorinfo/plan/maps.html'>Directions</a><br />\n<a 
 href='http://campus-map.stanford.edu/'>Campus Map</a><br />\n<br />\nPar
 king &ndash\; Free from 4 PM on Monday to Friday\, and all day on weekends
 . <a href='http://transportation.stanford.edu/parking_info/ParkingInformat
 ion.shtml'>More information</a><br />\n<br />\n<br />\n<strong>ABOUT WA
 NDA CORN</strong><br />\n<br />\nHaving earned a BA (l963)\, MA (l965) a
 nd Ph.D. (l974) from New York University\, Professor Wanda Corn taught at 
 Washington Square College\, the University of California\, Berkeley\, and 
 Mills College before moving to Stanford University in Palo Alto\, Californ
 ia in 1980. At Stanford she held the university's first permanent appointm
 ent in the history of American art and served as chair of the Department o
 f Art and Art History and Acting Director of the Stanford Museum. From l99
 2 to 1995 she was the Anthony P. Meier Family Professor and Director of th
 e Stanford Humanities Center. In 2000\, she became the Robert and Ruth Hal
 perin Professor in Art History. She retired from teaching at Stanford in 2
 008. In 2009\, she was the John Rewald DistinguishedVisiting Lecturer\, at
  the CUNY Graduate Center.</p>\n<p style='text-align: left\;'><br />\nA 
 scholar of late nineteenth- and early twentieth-century American art and p
 hotography\, Professor Corn has received fellowships from the American Cou
 ncil of Learned Societies\, the Smithsonian of American Art Museum\, the W
 oodrow Wilson International Center for Scholars\, the Smithsonian Regents\
 , the Stanford Humanities Center\, and the Radcliffe Institute of Advanced
  Study. In 2006-07\, she was the Samuel H. Kress Professor at the Center f
 or Advanced Study in the Visual Arts at the National Gallery of Art. She h
 as won numerous teaching awards: in 2007 The Distinguished Teaching of Art
  History Award from the College Art Association\; in 2002 the Phi Beta Kap
 pa Undergraduate Teaching Award\; and in 1974 the Graves Award for outstan
 ding teaching in the humanities.&nbsp\; In 2006\, the Archives of American
  Art awarded her The Lawrence A. Fleischman Award for Scholarly Excellence
  in the Field of American Art History and in 2007 she received the Women's
  Caucus for Art Life Time Achievement Award in the Visual Arts. In 2003 sh
 e was the Clark Distinguished Visiting Professor at Williams College. She 
 has served two terms on the Board of Directors of the College Art Associat
 ion and two on the Commission for the Smithsonian American Art Museum.&nbs
 p\; She served on the Advisory Board of the Georgia O&rsquo\;Keeffe Catalo
 gue Raisonn&eacute\;\, two terms on the Board of the Terra Foundation in A
 merican Art and is presently a trustee of the Wyeth Foundation in American
  Art. <br />\n<br />\nActive as a curator of museum exhibitions\, she ha
 d produced various books and exhibitions\, including <em>The Color of Mood
 : American Tonalism 1990-1910</em> (1972)\; <em>The Art of Andrew Wyeth</e
 m> (l973)\; and <em>Grant Wood: The Regionalist Vision</em> (1983).&nbsp\;
  Her historiographic article for <em>Art Bulletin</em>\, &quot\;Coming of 
 Age: Historical Scholarship in American Art&quot\; (June l988)\, became a&
 nbsp\; significant point of reference in the field as has her work on cult
 ural nationalism in early American modernism. Her study of avant-garde mod
 ernist culture along the Atlantic rim\, <em>The Great American Thing: Mode
 rn Art and American Identity\, 1915-35</em>\, was published by the Univers
 ity of California Press in the fall of 1999. She has just completed a book
 &mdash\;<em>Women Building History</em>&mdash\;about Mary Cassatt and the 
 decorative program of murals and sculptures for the Woman&rsquo\;s Buildin
 g at the Chicago World&rsquo\;s Columbian Exposition of 1893.&nbsp\; She i
 s now preparing an exhibition and book--<em>Seeing Gertrude Stein\, Five S
 tories</em>--to be launched in San Francisco and Washington D.C. in 2011. 
 She continues to research\, write\, and lecture on high\, middle\, and low
  culture interpretations of Grant Wood&rsquo\;s <em>American Gothic</em>.&
 nbsp\;</p>
DTEND;VALUE=DATE-TIME:20091114T210000
DTSTAMP:20091124T030718Z
DTSTART;VALUE=DATE-TIME:20091114T090000
LOCATION:\, \,
SUMMARY:<strong>A Great American Thing: A Symposium in Honor of Wanda Corn<
 /strong>
UID:20091124T040718CET-7TUz9tETBr@171.67.36.13
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