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CATEGORIES:Symposium
DESCRIPTION:<p style='text-align: left\;'>Please join us for a weekend cele
 brating Wanda Corn\, the Robert and Ruth Halperin Professor Emerita in Art
  History. During her nearly thirty-year tenure at Stanford\, Professor Cor
 n not only reshaped the field of American art history but served a term as
  Director of the Stanford Humanities Center and another as Acting Director
  of the Stanford Museum (now called the Cantor Arts Center). This free\, t
 wo-day symposium\, led by friends and the many art historians she trained\
 , honors her scholarship\, her pedagogy and her countless contributions to
  both art history and the university.<strong><br />\n</strong></p>\n<p s
 tyle='text-align: left\;'>&nbsp\;</p>\n<p style='text-align: left\;'>Spon
 sored by the Department of Art &amp\; Art History</p>\n<p style='text-ali
 gn: left\;'><span style='font-size: x-small\;'>All events are free and ope
 n to the public. </span></p>\n<p style='text-align: left\;'><span style='
 font-size: x-small\;'>No registration or tickets are required.</span></p>
 \n<p style='text-align: left\;'>&nbsp\;</p>\n<p style='text-align: left\;
 '>&nbsp\;</p>\n<p style='text-align: left\;'><strong>SYMPOSIUM SCHEDULE</
 strong></p>\n<p style='text-align: left\;'><br />\n<strong>Friday\, Nove
 mber 13\, 2009</strong><br />\n<br />\n3 pm&nbsp\;&nbsp\;&nbsp\;&nbsp\;&
 nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp
 \;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&n
 bsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\
 ;Arrival / Coffee &amp\; Tea<br />\n4 pm&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp
 \;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&n
 bsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\
 ;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;Wel
 come by Richard Vinograd\, Department Chair &nbsp\;&nbsp\;&nbsp\;&nbsp\;&n
 bsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; <br /
 >\n4:10 - 6:10 pm&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;
 &nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbs
 p\;&nbsp\; Session 1<br />\n6:10 - 7:10 pm &nbsp\;&nbsp\;&nbsp\;&nbsp\;&n
 bsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\
 ;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Reception (Art Lobby)<br />\n<br />\n<stro
 ng>Saturday\, November 14\, 2009</strong><br />\n<br />\n8:45 am &nbsp\;
 &nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&
 nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp
 \;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Coffee &amp\; Tea<br />\n9:30 - 11 am&nbsp
 \;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\
 ;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Session 2
 <br />\n11 - 11:15 am &nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\; &nbsp\;
 &nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; &nbsp\; Br
 eak<br />\n11:15 am - 12:45 pm&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&
 nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Session 3<br />\n12:45 - 1:45 pm&nbsp\
 ;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&
 nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Lunch Break<br />\n1:45 - 3:15 pm&nbsp
 \;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;
 &nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Session 4<br />\n3:15 -
  3:30 pm&nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\;&
 nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; Coffee Brea
 k<br />\n3:30 - 5:10 pm&nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\; &nbsp\
 ;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\; S
 ession 5<br />\n5:15 - 6:30 pm&nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\;
  &nbsp\;&nbsp\;&nbsp\; &nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&nbsp\;&n
 bsp\; Wanda Corn&rsquo\;s Presentation<br />\n<br />\n<strong><br />\nS
 CHEDULE OF PRESENTATIONS&nbsp\; </strong>(subject to change without notice
 )<strong><br />\n</strong></p>\n<p style='text-align: left\;'>&nbsp\;</p
 >\n<p style='text-align: left\;'><strong>November 13</strong></p>\n<p st
 yle='text-align: left\;'>&nbsp\;</p>\n<p style='text-align: left\;'><stro
 ng>Session 1:&nbsp\; 4:10-6:10 pm</strong></p>\n<p style='text-align: lef
 t\;'>&nbsp\;</p>\n<p style='text-align: left\;'>Moderated by Professor Br
 yan Wolf\, Department of Art &amp\; Art History<br />\n<br />\nKeith Egg
 ener\, University of Missouri<br />\n&quot\;Seeing\, Selling and Sanctify
 ing the Mark Twain Birthplace (1835/1959)&quot\;<br />\n<br />\nElizabet
 h Hutchinson\, Barnard College\, Columbia University<br />\n&quot\;Five V
 iews of Sequoyah's Turban\,&quot\; Charles Bird King\, 1844&quot\;<br />\
 n<br />\nAnnelise Madsen\, Stanford University<br />\n&quot\;Edwin Blash
 field's <em>Evolution of Civilization</em> (1896) and the Lessons of Mural
  Painting&quot\;<br />\n<br />\nMary Campbell\, Stanford University<br /
 >\n&quot\;<em>The Sultan's Favorite</em>: Charles Ellis Johnson and the M
 ormon Harem&quot\; (1903-4)<br />\n<br />\nKristin Schwain\, University 
 of Missouri-Columbia<br />\n&quot\;Learning to Look and Decorating the Pa
 rlor: Art and Display at Wanamaker&rsquo\;s Department Stores&quot\; (earl
 y 20th century)<br />\n<br />\nQ and A</p>\n<p style='text-align: left\
 ;'><br />\n<strong>November 14 </strong></p>\n<p style='text-align: left
 \;'>&nbsp\;</p>\n<p style='text-align: left\;'><strong>Session 2:&nbsp\; 
 9:30-11 am</strong></p>\n<p style='text-align: left\;'><br />\nModerated
  by Professor Michael Marrinan\, Department of Art &amp\; Art History<br /
 >\n<br />\nEllen Wiley Todd\, George Mason University<br />\n&quot\;Can
  Anyone See? John Sloan's <em>In Memoriam: Here is the Real Triangle</em>\
 , 1911&quot\;<br />\n<br />\nPatti Junker\, Seattle Art Museum<br />\n&
 quot\;Childe Hassam\, <em>Flags on the Waldorf</em>\, 1916&quot\;<br />\n
 <br />\nDavid Lubin\, Wake Forest University<br />\n&quot\;Flushed Out: 
 Duchamp's <em>Fountain</em> (1917) Goes to War&quot\;<br />\n<br />\nQ a
 nd A</p>\n<p style='text-align: left\;'><br />\n<strong>Session 3:&nbsp\
 ; 11:15 am-12:45 pm</strong></p>\n<p style='text-align: left\;'><br />\n
 Moderated by Professor Pamela M. Lee\, Department of Art &amp\; Art Histor
 y<br />\n<br />\nJason Weems\, University of California\, Riverside<br /
 >\n&quot\;At Play in the Cornfields: Grant Wood's <em>Spring Turning</em>
 \, 1936&quot\;<br />\n<br />\nGwendolyn DuBois Shaw\, University of Penn
 sylvania<br />\n&quot\;<em>To Know to Know to Love Her So</em>: Sargent J
 ohnson\, Getrude Stein and Motherless Moderns&quot\; (1940)<br />\n<br />
 \nCaroline Jones\, MIT<br />\n&quot\;Opening Haacke's Box\, 1963&quot\;<
 br />\n<br />\nQ and A</p>\n<p style='text-align: left\;'>&nbsp\;</p>\
 n<p style='text-align: left\;'><strong>Session 4:&nbsp\; 1:45-3:15 pm</str
 ong></p>\n<p style='text-align: left\;'><br />\nModerated by Professor P
 amela M. Lee\, Department of Art &amp\; Art History<br />\n<br />\nCecil
 e Whiting\, University of California\, Irvine<br />\n&quot\;David Hockey'
 s <em>American Collectors</em> (Fred and Marcia Weisman)\, 1968&quot\;<br 
 />\n<br />\nTirza Latimer\, California College of the Arts\, San Francis
 co<br />\n&quot\;A Reverent Look: The Endpaper from Gertrude's Follies (T
 om Hachtman\, 1979)&quot\;<br />\n<br />\nCarolyn Kastner\, Georgia O'Ke
 effe Museum\, Santa Fe<br />\n&quot\;Jaune Quick-To-See Smith: <em>Petrog
 lyph Park and Court House Steps</em>\, 1987&quot\;<br />\n<br />\nQ and 
 A</p>\n<p style='text-align: left\;'><strong><br />\nSession 5:&nbsp\; 3
 :30-5:10 pm</strong></p>\n<p style='text-align: left\;'><br />\nModerate
 d by Shelley Fisher Fishkin\, Professor of English and Director of America
 n Studies Program<br />\n<br />\nPam McClusky\, Seattle Art Museum<br />
 \n&quot\;Letters to Laikom: How Wanda Corn's Art History Opened Doors int
 o the Palace of the King of Kom&rdquo\;<br />\n<br />\nCherise Smith\, U
 niversity of Texas at Austin<br />\n&quot\;Rethinking Carrie Mae Weems' H
 istoric Appropriations&quot\;<br />\n<br />\nDavid Cateforis\, Universit
 y of Kansas<br />\n&quot\;Cultural Transference and Creative Misunderstan
 ding in Wenda Gu's <em>Poem of the University of Pittsburgh</em> (2004)&qu
 ot\;<br />\n<br />\nLouise Siddons\, Oklahoma State University<br />\n&
 quot\;Robert Turney\, Untitled Self-Portrait\, 2009&quot\; <br />\n<br />
 \nQ and A</p>\n<p style='text-align: left\;'>&nbsp\;</p>\n<p style='tex
 t-align: left\;'><strong> </strong></p>\n<p style='text-align: left\;'><s
 trong>Wanda Corn's Presentation:&nbsp\; 5:15-6:30 pm</strong></p>\n<p sty
 le='text-align: left\;'>&nbsp\;</p>\n<p style='text-align: left\;'>Introd
 uction by Ellen Wiley Todd and Cecile Whiting</p>\n<p style='text-align: 
 left\;'>&nbsp\;</p>\n<p style='text-align: left\;'>&quot\;Mary and Me: <e
 m>Modern Woman</em>\, Modern Women&quot\;</p>\n<p style='text-align: left
 \;'><br />\n<br />\n<strong>SPECIAL HOTEL RATES FOR THE SYMPOSIUM</stron
 g><br />\n<br />\n<strong>Stanford Terrace Inn</strong><br />\n531 Stan
 ford Ave.\, Stanford\, CA 94306<br />\n(800) 729-0332<br />\n<a href='ht
 tp://stanfordterraceinn.com'>http://stanfordterraceinn.com</a><br />\n<br
  />\nRate: $139/night for single occupancy | $149/night for double occupa
 ncy <br />\nReference: Wanda Corn Symposium or Group #1302<br />\nAmenit
 ies: complimentary breakfast\, shuttle to and from campus<br />\n<br />\
 n<strong>Stanford Guest House </strong><br />\n2575 Sand Hill Road\, Menl
 o Park\, CA 94025<br />\n(650) 926-2800<br />\n<a href='http://guesthous
 e.stanford.edu'>http://guesthouse.stanford.edu</a><br />\n<br />\nRate: 
 $109 for November 13 / $99 for November 14<br />\nReference: Wanda Corn S
 ymposium<br />\nAmenities: complimentary morning beverages and weekend pa
 stries\, shuttle to and from campus<br />\n<br />\n<br />\n<strong>VISI
 TOR INFORMATION</strong><br />\n<br />\nAnnenberg Auditorium is located 
 in the basement level of the Nathan Cummings Art Building\, 435 Lasuen Mal
 l\, Stanford\, CA 94305. The Department of Art &amp\; Art History main tel
 ephone line is (650) 723-3404.<br />\n<br />\n<a href='http://www.stanfo
 rd.edu/dept/visitorinfo/plan/maps.html'>Directions</a><br />\n<a href='ht
 tp://campus-map.stanford.edu/'>Campus Map</a><br />\n<br />\nParking &nd
 ash\; Free from 4 PM on Monday to Friday\, and all day on weekends. <a hre
 f='http://transportation.stanford.edu/parking_info/ParkingInformation.shtm
 l'>More information</a><br />\n<br />\n<br />\n<strong>ABOUT WANDA CORN
 </strong><br />\n<br />\nHaving earned a BA (l963)\, MA (l965) and Ph.D.
  (l974) from New York University\, Professor Wanda Corn taught at Washingt
 on Square College\, the University of California\, Berkeley\, and Mills Co
 llege before moving to Stanford University in Palo Alto\, California in 19
 80. At Stanford she held the university's first permanent appointment in t
 he history of American art and served as chair of the Department of Art an
 d Art History and Acting Director of the Stanford Museum. From l992 to 199
 5 she was the Anthony P. Meier Family Professor and Director of the Stanfo
 rd Humanities Center. In 2000\, she became the Robert and Ruth Halperin Pr
 ofessor in Art History. She retired from teaching at Stanford in 2008. In 
 2009\, she was the John Rewald DistinguishedVisiting Lecturer\, at the CUN
 Y Graduate Center.</p>\n<p style='text-align: left\;'><br />\nA scholar 
 of late nineteenth- and early twentieth-century American art and photograp
 hy\, Professor Corn has received fellowships from the American Council of 
 Learned Societies\, the Smithsonian of American Art Museum\, the Woodrow W
 ilson International Center for Scholars\, the Smithsonian Regents\, the St
 anford Humanities Center\, and the Radcliffe Institute of Advanced Study. 
 In 2006-07\, she was the Samuel H. Kress Professor at the Center for Advan
 ced Study in the Visual Arts at the National Gallery of Art. She has won n
 umerous teaching awards: in 2007 The Distinguished Teaching of Art History
  Award from the College Art Association\; in 2002 the Phi Beta Kappa Under
 graduate Teaching Award\; and in 1974 the Graves Award for outstanding tea
 ching in the humanities.&nbsp\; In 2006\, the Archives of American Art awa
 rded her The Lawrence A. Fleischman Award for Scholarly Excellence in the 
 Field of American Art History and in 2007 she received the Women's Caucus 
 for Art Life Time Achievement Award in the Visual Arts. In 2003 she was th
 e Clark Distinguished Visiting Professor at Williams College. She has serv
 ed two terms on the Board of Directors of the College Art Association and 
 two on the Commission for the Smithsonian American Art Museum.&nbsp\; She 
 served on the Advisory Board of the Georgia O&rsquo\;Keeffe Catalogue Rais
 onn&eacute\;\, two terms on the Board of the Terra Foundation in American 
 Art and is presently a trustee of the Wyeth Foundation in American Art. <b
 r />\n<br />\nActive as a curator of museum exhibitions\, she had produc
 ed various books and exhibitions\, including <em>The Color of Mood: Americ
 an Tonalism 1990-1910</em> (1972)\; <em>The Art of Andrew Wyeth</em> (l973
 )\; and <em>Grant Wood: The Regionalist Vision</em> (1983).&nbsp\; Her his
 toriographic article for <em>Art Bulletin</em>\, &quot\;Coming of Age: His
 torical Scholarship in American Art&quot\; (June l988)\, became a&nbsp\; s
 ignificant point of reference in the field as has her work on cultural nat
 ionalism in early American modernism. Her study of avant-garde modernist c
 ulture along the Atlantic rim\, <em>The Great American Thing: Modern Art a
 nd American Identity\, 1915-35</em>\, was published by the University of C
 alifornia Press in the fall of 1999. She has just completed a book&mdash\;
 <em>Women Building History</em>&mdash\;about Mary Cassatt and the decorati
 ve program of murals and sculptures for the Woman&rsquo\;s Building at the
  Chicago World&rsquo\;s Columbian Exposition of 1893.&nbsp\; She is now pr
 eparing an exhibition and book--<em>Seeing Gertrude Stein\, Five Stories</
 em>--to be launched in San Francisco and Washington D.C. in 2011. She cont
 inues to research\, write\, and lecture on high\, middle\, and low culture
  interpretations of Grant Wood&rsquo\;s <em>American Gothic</em>.&nbsp\;</
 p>\n<p>&nbsp\;</p>
DTEND;VALUE=DATE-TIME:20091113T190000
DTSTAMP:20091124T031301Z
DTSTART;VALUE=DATE-TIME:20091113T150000
LOCATION:\, \,
SUMMARY:<strong>A Great American Thing: A Symposium in Honor of Wanda Corn<
 /strong>&nbsp\;&nbsp\;
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